{"id":56,"date":"2020-08-26T18:22:48","date_gmt":"2020-08-26T23:22:48","guid":{"rendered":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/?page_id=56"},"modified":"2020-09-01T14:23:40","modified_gmt":"2020-09-01T19:23:40","slug":"the-struggle-goes-on","status":"publish","type":"page","link":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/home\/the-struggle-goes-on\/","title":{"rendered":"The Struggle Goes On"},"content":{"rendered":"\n<p>On March 7, 1965, several hundred civil rights protesters embarked on a planned march from Selma, Alabama to the state&#8217;s capital, Montgomery. The march was intended to protest the recent murder of a Civil Rights worker and draw attention to the ongoing disenfranchisement of Southern African Americans. However, the day became known as &#8220;Bloody Sunday&#8221; due to the violence that the marchers encountered on the Edmund Pettus Bridge, just outside of Selma, Alabama.<\/p>\n\n\n\n<p>A decade later, Selma-born photographer William Anderson documented a commemorative march that marked the tenth anniversary of the Selma-to-Montgomery marches. Coretta Scott King, widow of Martin Luther King, Jr., and John Lewis were among the participants. (Both can be seen wearing light-colored jackets in the front row.) The presence of a photographer in the foreground signals the event&#8217;s significance and recalls the importance of photography in the Civil Rights movement.<\/p>\n\n\n\n<p>In an acknowledgement of the continuing work required to live up to the principles of the nation, Anderson titled the photograph &#8220;The Struggle Goes On.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On March 7, 1965, several hundred civil rights protesters embarked on a planned march from Selma, Alabama to the state&#8217;s capital, Montgomery. The march was intended to protest the recent murder of a Civil Rights worker and draw attention to the ongoing disenfranchisement of Southern African Americans. However, the day became known as &#8220;Bloody Sunday&#8221; [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":0,"parent":50,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"page-exhibition.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-56","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/wp-json\/wp\/v2\/pages\/56"}],"collection":[{"href":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":20,"href":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/wp-json\/wp\/v2\/pages\/56\/revisions"}],"predecessor-version":[{"id":299,"href":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/wp-json\/wp\/v2\/pages\/56\/revisions\/299"}],"up":[{"embeddable":true,"href":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/wp-json\/wp\/v2\/pages\/50"}],"wp:attachment":[{"href":"https:\/\/exhibitions.lib.udel.edu\/art-civil-rights\/wp-json\/wp\/v2\/media?parent=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}