{"id":189,"date":"2019-10-10T14:17:08","date_gmt":"2019-10-10T19:17:08","guid":{"rendered":"https:\/\/exhibitions.lib.udel.edu\/beat-visions-and-the-counterculture\/?page_id=189"},"modified":"2019-11-05T09:26:20","modified_gmt":"2019-11-05T14:26:20","slug":"warhol","status":"publish","type":"page","link":"https:\/\/exhibitions.lib.udel.edu\/beat-visions-and-the-counterculture\/warhol\/","title":{"rendered":"Andy Warhol"},"content":{"rendered":"\n<p>Billy Name [William Linich, Jr.] (American, 1940 \u2013 2016)<br><strong>Andy Warhol Close-Up Filming \u201cGirls in Prison\u201d [Prison]<\/strong>, 1965<br>gelatin silver print<br>Museums Collections, Gift of Billy Name<\/p>\n\n\n\n<p>Andy Warhol was a prolific experimental filmmaker. Here, photographer and creative collaborator at Warhol\u2019s Factory, Billy Name, captured Warhol making his 1965 film <em>Prison<\/em>. Warhol\u2019s mid- 1960s \u201cunderground\u201d phase was inspired directly by the Beats. Indeed, his 1964 film <em>Couch<\/em> featured Allen Ginsberg, Jack Kerouac, Gregory Corso, and Peter Orlovsky. The four visited the Factory, ad-libbed and drank beer while crowding onto Warhol\u2019s famous red velvet couch. This scene was a likely nod to Robert Frank and Alfred Leslie\u2019s 1959 underground film <em>Pull My Daisy<\/em>, also featuring a couch scene with Ginsberg, Corso, and Orlovsky. Warhol subsequently produced other films and photographs depicting Ginsberg and William S. Burroughs, and envisioned an unrealized feature film about Walt Whitman starring Ginsberg in the lead role.<\/p>\n\n\n\n<p><em>[UD_EXHIBITION_ITEM]<\/em><\/p>\n\n\n\n<p><strong>Andy Warhol, Couch, 1964, film still<\/strong>. Left to right: Ginsberg, Kerouac, Corso, and Orlovsky<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Billy Name [William Linich, Jr.] (American, 1940 \u2013 2016)Andy Warhol Close-Up Filming \u201cGirls in Prison\u201d [Prison], 1965gelatin silver printMuseums Collections, Gift of Billy Name Andy Warhol was a prolific experimental filmmaker. Here, photographer and creative collaborator at Warhol\u2019s Factory, Billy Name, captured Warhol making his 1965 film Prison. Warhol\u2019s mid- 1960s \u201cunderground\u201d phase was inspired [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-exhibition.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-189","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/exhibitions.lib.udel.edu\/beat-visions-and-the-counterculture\/wp-json\/wp\/v2\/pages\/189"}],"collection":[{"href":"https:\/\/exhibitions.lib.udel.edu\/beat-visions-and-the-counterculture\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/exhibitions.lib.udel.edu\/beat-visions-and-the-counterculture\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/exhibitions.lib.udel.edu\/beat-visions-and-the-counterculture\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/exhibitions.lib.udel.edu\/beat-visions-and-the-counterculture\/wp-json\/wp\/v2\/comments?post=189"}],"version-history":[{"count":9,"href":"https:\/\/exhibitions.lib.udel.edu\/beat-visions-and-the-counterculture\/wp-json\/wp\/v2\/pages\/189\/revisions"}],"predecessor-version":[{"id":1183,"href":"https:\/\/exhibitions.lib.udel.edu\/beat-visions-and-the-counterculture\/wp-json\/wp\/v2\/pages\/189\/revisions\/1183"}],"wp:attachment":[{"href":"https:\/\/exhibitions.lib.udel.edu\/beat-visions-and-the-counterculture\/wp-json\/wp\/v2\/media?parent=189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}