{"id":70,"date":"2021-09-27T09:00:09","date_gmt":"2021-09-27T14:00:09","guid":{"rendered":"https:\/\/exhibitions.lib.udel.edu\/sherlock\/?page_id=70"},"modified":"2021-09-29T10:26:03","modified_gmt":"2021-09-29T15:26:03","slug":"items","status":"publish","type":"page","link":"https:\/\/exhibitions.lib.udel.edu\/sherlock\/items\/","title":{"rendered":"&#8220;A Scandal in Bohemia&#8221;"},"content":{"rendered":"\n<p>[UD_EXHIBITION_ITEM]<\/p>\n\n\n\n<p><strong>Arthur Conan Doyle, 1859\u20131930<br>\u201cAdventures of Sherlock Holmes: Adventure I \u2013 A Scandal in Bohemia,\u201d in <em>The Strand Magazine,<\/em> July 1891.<br>Mark Samuels Lasner Collection<\/strong><\/p>\n\n\n\n<p>Although two novellas about Sherlock Holmes had previously appeared\u2014\u201dA&nbsp; Study in Scarlet\u201d (<em>Beeton\u2019s Christmas Annual <\/em>in 1887) and \u201cThe Sign of the Four\u201d (<em>Lippincott\u2019s Monthly Magazine, <\/em>February 1890)\u2014to moderate success, it was the publication of \u201cA Scandal in Bohemia\u201d in the July 1891 issue of <em>The Strand Magazine<\/em> and the subsequent \u201cadventures\u201d which made the consulting detective and his creator world-famous. So popular were the Holmes stories that the circulation of George Newnes\u2019 new magazine soared into the hundreds of thousands. Readers were captivated not only by Doyle\u2019s writing skill and invention, but by clever plots blending imagination and reality, by the personalities of Holmes and Watson, and by Sidney Paget\u2019s illustrations that would eventually become iconic. Doyle kept up the attention through the creation of a series of independent stories in which the main characters continued to appear. This technique became a mainstay of fiction from the 1890s onwards, leading, in the twentieth century, to the burgeoning of serials in broadcasting, film, comic books, and other manifestations of popular culture.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>[UD_EXHIBITION_ITEM]<\/p>\n\n\n\n<p><strong>W. &amp; D. Downey<br><em>Lillie Langtry,<\/em> albumen cabinet card, London, [early to mid-1880s].<br>Mark Samuels Lasner Collection<\/strong><\/p>\n\n\n\n<p>[UD_EXHIBITION_ITEM]<\/p>\n\n\n\n<p><strong>William Nicholson, 1872\u20131949<br>The Prince of Wales, color lithograph from William Nicholson, Twelve Portraits. London: William Heinemann, 1899.<br>Mark Samuels Lasner Collection<\/strong><\/p>\n\n\n\n<p>The tale of a jilted lover of a royal personage taking revenge led to much speculation about the real-life figures Doyle may have had in mind when writing \u201cA Scandal in Bohemia.\u201d Many believed that Irene Adler, the mysterious and dangerous cross-dressing former diva from New Jersey, resembled Lillie Langtry (1853\u20131929). Born Emilie Charlotte Le Breton on the island of Jersey and known as the \u201cJersey lily,\u201d Langtry was a \u201csociety beauty\u201d who in 1881 began a successful stage career as actor (and later producer) in Britain and America. Langtry\u2019s affair with the Prince of Wales suggested strongly that the philadering future Edward VII was the model for the King of Bohemia\u2014although their romantic relationship ended years before.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>[UD_EXHIBITION_ITEM]<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>[UD_EXHIBITION_ITEM]<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>[UD_EXHIBITION_ITEM]<\/p>\n<\/div>\n<\/div>\n\n\n\n<p>[UD_EXHIBITION_ITEM]<\/p>\n\n\n\n<p><strong>Arthur Conan Doyle, 1859\u20131930<br>The Adventures of Sherlock Holmes. London: George Newnes, 1893.<br>Presentation copy from Doyle to H. Greenough Smith<br>Mark Samuels Lasner Collection<\/strong><\/p>\n\n\n\n<p>\u201cA Scandal in Bohemia\u201d opens this collection of the first twelve Sherlock Holmes stories from <em>The Strand,<\/em> rejiggered for book publication with the text set in a single column and larger illustrations. The cloth cover reproduces in small scale the design used for the paper-wrappered issues of the magazine by the otherwise-forgotten artist, George Chalres Hall\u00e9. This copy of the second printing was presented by Doyle to Herbert Greenough Smith, the editor of <em>The Strand.<\/em> Their collaboration would continue for more than three decades as Doyle continued to contribute both fiction and non-fiction to the periodical.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>[UD_EXHIBITION_ITEM]<\/p>\n\n\n\n<p>[UD_EXHIBITION_ITEM]<\/p>\n\n\n\n<p><strong>Isaac Asimov, 1920\u20131992<br><em>Asimov&#8217;s Sherlockian Limericks: Illustration by the Author; Frontispiece by Gahan Wilso<\/em>n. New York: Mysterious Press, 1978.<\/strong><\/p>\n\n\n\n<p>It will come as no surprise that Isaac Asimov was attracted to Sherlock Holmes. Best-known for his science fiction (the <em>Foundation<\/em> novels), the polymath, writer, and professor of biochemistry was interested in <em>everything,<\/em> as witnessed by his nearly 300 books and more published short stories than even Arthur Conan Doyle produced. Asimov belonged to the Baker Street Irregulars, the erstwhile Sherlockian fan club (members had to pass a test to be elected and take a name from the Holmes tales\u2014Asimov\u2019s was&nbsp; \u201cThe Remarkable Worm Unknown to Science\u201d). He also devoted a bit of his brain power to composing the limericks and drawings printed in this limited edition from the publishing side of Otto Penzler\u2019s Mysterious Bookshop in New York. Each of the sixty-odd works in the \u201ccanon\u201d received attention. As one commentator noted, \u201csqueezing plots of varying length and complexity each into a single five-line limerick, the results are often bad poetry or unrecognizable as descriptions of the stories.\u201d The frontispiece by <em>New Yorker <\/em>cartoonist and illustrator Gahan Wilson depicts Holmes looking over Asimov\u2019s shoulder.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>[UD_EXHIBITION_ITEM]&nbsp;<\/p>\n\n\n\n<p>[UD_EXHIBITION_ITEM]&nbsp;<\/p>\n\n\n\n<p><strong>Arthur Conan Doyle, 1859\u20131930<br><em>A Scandal in Bohemia.<\/em> Sacramento, CA: Press of Arden Park, 1984.<br>Marnie Flook Miniature Book Collection<\/strong><\/p>\n\n\n\n<p>Sherlock Holmes has been published in so many ways and by so many people in so many countries and languages (with always more to come) that it may well be impossible to create a complete bibliography. Miniature books, defined as those three inches tall or less, seem to attract makers and collectors to an extraordinary degree. The several examples in this online exhibition, drawn from Special Collections\u2019 extensive Marnie Flook Miniature Book Collection, are just the tip of the iceberg. This tiny version of <em>A Scandal in Bohemia <\/em>was one of three Sherlockian titles from the Press of Arden Park, a private letterpress operated by Budd Westreich in Sacramento, California.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>[UD_EXHIBITION_ITEM]&nbsp;<\/p>\n\n\n\n<p>[UD_EXHIBITION_ITEM]&nbsp;<\/p>\n\n\n\n<p><strong>Petr Kopl, 1974\u2013<br><em>Sherlock Holmes: A Scandal in Bohemia.<\/em> London: MX Publishing, 2014.<\/strong><\/p>\n\n\n\n<p>The first of four adaptations of the Sherlock Holmes stories by the noted Czech artist, this <em>Scandal in Bohemia<\/em> actually interweaves several of the detective\u2019s other cases, including \u201cThe Speckled Band,\u201d to comic effect. In its original Czech version the book was voted comic book of the year 2013 in the Czech Republic. An amusing appendix argues that the King of Bohemia was, of course, really <em>from<\/em> Bohemia.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[UD_EXHIBITION_ITEM] Arthur Conan Doyle, 1859\u20131930\u201cAdventures of Sherlock Holmes: Adventure I \u2013 A Scandal in Bohemia,\u201d in The Strand Magazine, July 1891.Mark Samuels Lasner Collection Although two novellas about Sherlock Holmes had previously appeared\u2014\u201dA&nbsp; Study in Scarlet\u201d (Beeton\u2019s Christmas Annual in 1887) and \u201cThe Sign of the Four\u201d (Lippincott\u2019s Monthly Magazine, February 1890)\u2014to moderate success, it [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-exhibition.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-70","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/exhibitions.lib.udel.edu\/sherlock\/wp-json\/wp\/v2\/pages\/70"}],"collection":[{"href":"https:\/\/exhibitions.lib.udel.edu\/sherlock\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/exhibitions.lib.udel.edu\/sherlock\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/exhibitions.lib.udel.edu\/sherlock\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/exhibitions.lib.udel.edu\/sherlock\/wp-json\/wp\/v2\/comments?post=70"}],"version-history":[{"count":25,"href":"https:\/\/exhibitions.lib.udel.edu\/sherlock\/wp-json\/wp\/v2\/pages\/70\/revisions"}],"predecessor-version":[{"id":244,"href":"https:\/\/exhibitions.lib.udel.edu\/sherlock\/wp-json\/wp\/v2\/pages\/70\/revisions\/244"}],"wp:attachment":[{"href":"https:\/\/exhibitions.lib.udel.edu\/sherlock\/wp-json\/wp\/v2\/media?parent=70"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}